Through melodies that seem to emerge from silence itself, the album presents themes characterized by translucent textures, suspended chords, and multiple layers of ambient sound.

There exists a space that belongs neither to the day nor to the night—an invisible interval where light does not impose itself, but simply exists. It is within this subtle territory that ENTRELUZ—the 39th album by composer and pianist Corciolli—is born. The title suggests a crossing: not toward absolute clarity or total darkness, but toward the moment of transition—the silence before dawn, the lingering echo after the final note, the breath that connects the visible to the invisible.

The compositions traverse an ethereal universe, engaged in a delicate, constant dialogue between piano and synthesizers. Each piece unfolds gradually, inviting the listener to experience the music in a state of suspension, where time and space dissolve.
ENTRELUZ evokes the spirit of Bach and Satie, bathed in the glow of nocturnal jazz improvisations and the stillness of monasteries.